Thursday, July 14, 2011

2011 Emmy nominations announced

The nominations for the 63rd Primetime Emmys were released Thursday morning, so crazy television fans got up early (or stayed up late) to see them unfold.

A few stray observations:

*There were a couple underdogs that made their way in: Louis C.K., Johnny Galecki and Matt LeBlanc were nominated in the Lead Actor in a Comedy Series category. Kathy Bates was nominated for Outstanding Lead Actress in a Drama Series. Idris Elba scored two nominations (as did Tina Fey), outstanding actor in a miniseries ("Luther") and outstanding guest actor in a comedy series ("The Big C") ... yet he was never nominated for playing Stringer Bell. "Late Night With Jimmy Fallon" got nominations for Outstanding Variety Series and Writing for a Variety Series (God, I cannot wait for Stephen Colbert's reaction, since the BFFs for six months will be competing against each other). Oh, and Lady Gaga was nominated (for Variety Music Special).

*"Glee" lost its bids for lead actor and actress nominations, as did Toni Collette, and Neil Patrick Harris. "Big Love" was completely shunned in its final season. Also, I just want to remind everyone that Steve Carell has never won an Emmy. Although "the Office" is pretty lackluster now, I think it would be fitting to honor Carell for his seven years of work. Besides, the Emmys are notorious for not honoring people in the year that they should be (as Carell deserved the Emmy in 2006).

*I blame Rob Lowe submitting himself for Outstanding Lead Actor for splitting the votes between him and the truly deserving nominee, Nick Offerman. Lowe's role on the show is not that of a lead actor and his character is nowhere near as funny as Offerman's Ron Swanson, although Lowe's massive ego likely tells him otherwise. I strongly believe that if he hadn't submitted his name, any nominee voters that wanted "Parks and Recreation" to get a lead actor nomination would have had no choice but to vote for Offerman and not Lowe simply because he's a bigger name, and Offerman could have gotten a nod. Plus, no love for Chris Pratt, or any of the high-caliber writers? It's a disgrace.

*While "Community" has been a mixed bag (when it's good, it's astounding, but when it's not up to form, it's painful), Danny Pudi deserved a nomination for his equally hilarious and heartbreaking Abed. I will admit to a certain amount of bias, as Abed does remind me of a more socially awkward version of myself (although not much more awkward). The fact that the show didn't even garner one nomination is sad.

*The nomination for Laura Linney don't surprise me, but they frustrate me. A comedy doesn't always have to be laugh-out-loud to be outstanding, which is an argument that a lot of people make in support of shows like "the Big C." However, is a show really outstanding when the tone is incredibly insulting? Most of the characters, including Laura Linney's Cathy, are very unlikeable, and not in an endearing way (see "Arrested Development").

*I enjoy the way that the great pilot for "the Killing" was nominated, since, clearly, voters were not biased by seeing the rest of the show, which turned into a complete train wreck that even Outstanding Drama Actress Mireille Enos could save. This spot should have gone to "The Walking Dead."

*The good news? Even if the show is weak (as it was the last time it was on Fox, with Ryan Seacrest hosting), the Outstanding Writing for a Comedy or Variety Series category, featuring the often-hilarious videos introducing the nominees, should be back this year.

*What's up with the Emmys picking nominated females to present the awards (Melissa McCarthy was nominated), but the males are awkwardly shunned? Joshua Jackson this year, Joel McHale last year.

I could go on and on, but I've already rambled enough, my apologies ... to quote Kenneth Parcell, I just love television so much.

The full list of nominees and categories can be found here.

What do you think are the major upsets and surprises this year? Any outrageous inclusions or exclusions?

Friday, July 8, 2011

Syndicated How I Met Your Mother episodes feature digitally-added advertisement

The video below is a Internet advertisement for season four of "the Office," describing what the Dunder Mifflin staff did in the summer of 2007.



This always made me laugh, because in a way, it broke the space-time continuum. I can't help but wonder if, when Michael took the staff to see "Knocked Up," they thought to themselves: gee, Darryl looks a lot like the club doorman, Ryan looks an awful lot like that skeevy doctor and Steve Carell looks a lot like our boss!

Well, that continuum is becoming even more useless, and advertising is become a lot more shameless. As Entertainment Weekly and Slashfilm reported, syndicated reruns of shows like "How I Met Your Mother" now have advertisements digitally superimposed in the background.

Eagle-eyed viewers saw ads for films such as "Zookeeper" and "Bad Teacher" in episodes, ads that were not in the original or DVD versions. How could they be? These HIMYM episodes originally aired years ago (and were set in the years in which they aired, based on the show's narrative structure), long before these movies were likely in development. It's a simple, if shameless way to get the word out without airing a commercial spot (which would likely be skipped when viewed on DVR ... or VCR, if you're cheap like me and still live in the '90s), but it also seems a little tacky.

As with the above example with "the Office," I find the "Bad Teacher" ads amusing. If Marshall Eriksen exists in the HIMYM world, can Jason Segel also exist? After all, Segel became famous largely for playing Marshall, which is likely how he got a role in "Bad Teacher." How can Segel become famous for playing a "real" character? I realize this is probably far too analytic of a mindless viewing of a TV rerun, but I guess that's how I deal with my annoyance at the shamelessness of this.

Do you feel like you're more likely to see a film when it's integrated into shows like this? For me, I already know I'm never going to watch "Zookeeper," whether Marshall and Barney walk by an ad for it or not. But, could it subliminally work for lesser-known media products, or ones that inspire cravings (I'll admit to getting a hankering for T.G.I. Fridays breadsticks when I see that stupid "Zookeeper" ad)? I've always been fascinated by product placement and I'm curious where others stand on it.