New year's television resolutions

Although the new year occurs in the middle of the television season, there are still opportunities for change to occur. Here are some of my hopes for 2012 television:

SPOILER ALERT: Do not read if you have not seen the season six finale of "Dexter" that aired Dec. 18 or "Parks and Recreation" as of Dec. 1.

* The last time "Dexter" ended a season with a major narrative shift, Rita died at the end of the mind-blowing fourth season. It was a gusty move that would surely impact the future of the show and after that stellar season, it seemed like the show knew what it was doing. However, they wasted that opportunity by creating an awkward and inappropriate rebound romance for Dexter in season five, and this year's season wasn't much of an improvement, minus the shocking last-second moment where Dexter's sister, Deb catches her brother killing Travis Marshall, the Doomsday Killer. The writers have once again created a game-changing scenario on the show. My hope is that they use this change to better the show, instead of using Deb's knowledge as another plot point that continues the show's downward spiral.

* Here's hoping that "Parks and Recreation" follows the lead of "Up All Night" when it comes to the roles of men in relationships. On "Up All Night," Will Arnett's Chris quits his job as a lawyer to be a stay-at-home dad with little argument. Minus the occasional moments where he misses his job, he is happy with his daughter and that his wife, Reagan is working to support the family without guilt-tripping her. On "Parks and Rec," Ben gave up his job in the Pawnee government to save Leslie's job and political aspirations. While nothing is keeping Ben from getting another job, it would be a shame to have Ben develop remorse toward Leslie for making him leave his previous one. It was hinted at in the Dec. 8 episode, where he kept saying he "resigned in disgrace." Hopefully that was just an immediate, knee-jerk reaction and won't turn into lasting problems for the wonderful couple.

* I'm looking for a "30 Rock" revival. Jack became nearly isolated from 30 Rock and Liz Lemon's band of merry misfits, which is a shame, as the show-within-a-show gave "30 Rock" its charm. Last season, things got too muddled with romance (both Matt Damon and Elizabeth Banks' characters added little) and downright malaise from the writers and actors. "30 Rock" should not be a downer show; let's hope that its sixth season (beginning Jan. 12) will bring it back to the early seasons' glory.

* Although I'm not watching the show, I hope that "American Horror Story" won't disappoint its audience as Ryan Murphy shows did in the past. I'm still bitter about the major decline in quality on "Nip/Tuck" and "Glee." Murphy's a known show-killer, and for the sake of AHS fans, I don't want to see them burned.

* Finally, at least for the time being: The world cannot end in 2012. "Arrested Development" isn't set to return until 2013.

Parks and Recreation returns as 30 Rock shines

This semester is killing me, much like the cold, possibly flu I currently have. So, I haven't had the time to update this blog, sadly.

However, this week for the BG News, I reviewed episode one of what is currently the funniest show on television, "Parks and Recreation." Words cannot adequately express my happiness now that the show is back on the air.

So, check out my review of "Parks and Rec" at BGNews.com.

Not only was last week's season premiere funny, but "the Flu," last night's episode, also delivered, largely thanks to Aubrey Plaza's April and Rashida Jones' Ann's hilarious hospital beside exchanges. Everyone, do yourselves a favor, please watch this show. If you watched season one and didn't find it funny, forget about that opinoin you formed and come in with an open mind, becasuse the show has become amazing.

Also, "30 Rock" was quite hilarious last night, mainly for making fun of the Jack/Liz shippers, even if this hilarious scene got the annoying OneRepublic song in my head.



My personal favorite joke? Upon the success of the NBC telethon for Mel Gibson and Jon Gosselin's private island, according to Jack, "It was our highest rating since that episode of 'SVU' when the detectives watched 'American Idol,'" which I took to be a blatant jab at the "Office" episode from November which revolved around a viewing party for "Glee."

This network. I think the Jan. 14 episode of "SNL" summarized it best:

30 Rock listens to Bill O'Reilly and does it live, Will Arnett remains a god

(Context for this is below.)

I have been neglecting this blog, but not by choice. School and the "real world" have completely taken over my life, sadly.

So, here's a quick update:

30 Rock took a cue from their fellow Rainbow Room tenants and performed a live show Thursday, one version for the Eastern and one for the Pacific time zone. While it was not their funniest episode, it was a nice change of pace for the show. In recent seasons, the fact that 30 Rock is about a "show within a show," TGS with Tracy Jordan, is often overlooked for Liz and company's personal issues.

This episode was a fun reminder that TGS exists, that people have to worry about Tracy's antics, and that the Robot and Bear Talk Show should have happened. Now, if only Josh Girard could still be on the show ... oh well, at least Rachel Dratch was back. Her crazy characters are always welcome, especially when they have a Fonzie fetish like this one did (God, if only Henry Winkler could have made an appearance, that would have been fantastic). Chris Parnell's Dr. Leo Spaceman serenaded the audience in only a way Dr. Spaceman could. Both of these former SNL stars are incredibly underutilized in the world of comedy.

The episode also featured guest spots from Julia Louis-Dreyfus, playing Liz Lemon in "flashback" scenes that were impossible to stage life, along with Matt Damon (and Bill Hader as his co-pilot). And then there was Jon Hamm (pictured above), who complimented his hook hand with an executed inmate's hand or a horny middle-aged Josh Groban fan's hand, depending on which coast you live on. It was silly, but it was still worth a laugh.

For what it's worth, the biggest laughs, for me, came when TGS' Fox News sketch introduced Jenna's character simply as "Blonde," and, upon speaking about her birthday party in a disjointed way, Jack asking Liz, "Why are you speaking like a Persian immigrant?" Differences between the two episodes are here, and both versions of the episode can be found on Hulu.


In other news that no one will really care about, but I will share anyway, this happened:



Will Arnett replied to me on Twitter. I realize this isn't that big of a deal, it's not like we had a deep conversation or anything. But I like seeing "arnettwill @MacysDayMar" and not the other way around. I just think it's cool that someone I adore so much even took a second to acknowledge fans, especially when that fan is me. Anyone else have similar exciting Twitter moments?

SNL under-utilizes former all-stars in season premiere

The Not-Ready-For-Prime-Time-Players were back last night, with former cast member and current Parks and Recreation star Amy Poehler serving as host. Her return allowed for some fun cameos and overall joyful moments, even if the episode itself didn't serve up to its full potential.

After a cold open featuring some chuckle worthy if predictable jokes about Delaware Senate candidate and part-time witch Christine O'Donnell, Amy used her monlogue to express her nervousness about hosting and the stress dreams she had about the show. This segment brought out the who's-who of SNL of the last decade: Tina Fey, Jimmy Fallon, Rachel Dratch and Justin Timberlake all taunted Amy during her "dream." It was clear that the cast and guests of the show were incredibly excited for Amy to return to the show, and this helped to create an incredibly supporting atmosphere throughout the episode.

While the episode itself was far from perfect, that supportive nature showed to the home audience, and even if I wasn't laughing at a sketch, I could tell that the cast was having fun just being with everyone. When Maya Rudolph reuninted with Amy for their "Bronx Beat" sketch (featuring Katy Perry's boobs clad in an Elmo T-shirt as a wink and a nod to her recent controversy), you could tell that the women were having great fun bringing them alive.

Seth Meyers seemed to enjoy having Amy at his side during "Weekend Update," and they had fun laughing at the awkward meeting of the real New York Governor David Paterson and Fred Armisen's clueless parody of him. I can't even recall many specific jokes and moments that made me laugh, yet, because of the electricity and chemistry Amy had with the cast and guests and the respect they had for her, it was a joy to watch.

Yet, while these moments were fun, I couldn't help but feel like there were many wasted opportunities in the show. I would have absolutely loved to have seen another installment of "the Barry Gibb Talk Show," the ridiculous and hilarious faux talk show with Jimmy and Justin. How often can you get both of them in the same room ... this should have been the highlight of the evening, but instead, it was woefully missed.



Now, I'm willing to recognize the fact that many, if not all of the special guests last night were last-minute additions, which is why they couldn't participate too much, especially in the pre-recorded Digital Short (which, unfortunately, featured Katy Perry attempting to sing), but it was still a shame they couldn't do more. A lot of talent was wasted.

And then, Katy Perry. I wish I could give her kudos for NOT lip syncing, but she was so terrible, screeching her way through every single note in her overplayed songs that it was unbearable. Listening to her perform truly made me cringe.


So, it wasn't the best SNL premiere, but it wasn't the worst. Let's hope next week's Bryan Cranston-hosted episode can improve on the formula. May I make a suggestion? Could Tracy Morgan make a guest appearance reading tweets from next week's musical guest, Kanye West? I love the SNL writers, but I don't know if they could write anything better than Kanye's genius tweets, and since many of his statements sound like something Tracy (both Morgan and his fictional 30 Rock character) would say, so this would be a wonderful inclusion.



Also, as a side, NBC-related note: in a brilliant act of karma, Jeff Zucker, the man who oversaw the collapse of NBC and played a major part in the Conan O'Brien debacle, has left NBC (before he could be fired by Comcast once they take over NBC ... his words, not mine). He complained how hard of a decision it was to leave the company he has worked for all of his adult life, much like Conan complained how hard it was that he was so mistreated by a company he worked at for much of his adult life. I enjoy schadenfreude.


What was everyone's favorite (or least favorite) moments from SNL? Thrilled about the latest corporate shakeup at NBC?

30 Rock and Community shine, while the Office phones it in

Thursday nights are traditionally the best night for television. It would have been so much better had NBC not pushed Parks and Recreation to midseason (which is something I won't harp on, since I have done that plenty already), but it is what it is.

And what it is is not what it used to be, at least when it comes to "the Office." Tonight's episode just proved that it is a shell of what it used to be and should have been put out to pasture. Keep in mind, this is coming from a die-hard fan of the show.

Last night's episode, "Nepotism," was easily the show's weakest season premiere and did not set the season off on a high note.

Here's a recap: The show left off last season with ... wait a second. The events in "Nepotism" had absolutely nothing to do with the events of the closing of season six. It's not known what came about after the printer recall. They made it such a major deal at the end of last season and it was dropped in this episode.

Anyway, suddenly, Dunder Mifflin hired an assistant, something they hadn't needed before (and where did they get that money to pay him?) and Michael hired his nephew to improve his strained family relations. He's your stereotypical douchebag that everyone else hates, and long story short, Michael ends up spanking (yes, spanking) him in front of the whole office, while his co-workers cheer him on. Really? The same people who would be frustrated by Michael's sexually explicit comments and mindless office pranks would cheer on such an awkward and inappropriate gesture? Sure, he was annoying, but I don't even think that would be an appropriate reaction from anyone - and I'm referring to both Michael's gesture and his subordinates' reactions.

Also, in a throwaway talking head, Jim mentioned that Dwight bought the office building. Wait, what. Why? What use would that have? Another question - what was with Dwight's water-filled backpack? Did it have a purpose? I know, it's Dwight, and very few things Dwight does often make sense, but even that seemed outrageously pointless. Can someone help this confused viewer out?

Overall, this episode had maybe one or two chuckle-worthy moments, but nothing to write home about. It's a shame that such a brilliant show has become so slapstick (no pun intended) and unfunny. I wasn't a fan of the cold opener, either. Why is that they have to constantly reference or parody viral Internet videos? Is this Tosh.0 now?



So, thank God for "Community" and "30 Rock." Both shows returned strong last night, especially "Community's" incredibly meta episode (Donald Glover/Troy campaigned to play Spiderman! So Troy wears Spiderman pajamas!). It followed up on last year's romantic drama by creating truly funny moments between Jeff and Britta, yet it also developed a nice satirical flair by making fun of CBS' latest attempt to seem cool, "$#*! My Dad Says" (look how cool they are ... swear words!). You know this is a fantastic episode when Betty White's role was the weakest part, and I mean nothing bad by saying that. She was brilliant and outrageous, especially performing Toto's "Africa" with Troy and Abed. Way to go, "Community," for utilizing her well.

"30 Rock" had some brilliant one-liners ("The Harry Potter theme park is a hit with both Anglophiles and pedophiles"). Matt Damon's previously one-dimensional character was given a funny backstory and made Ina Garten cool. It wasn't their absolute funniest episode and had some awkward plots (I have trouble believing Jenna would be such a brilliant and ruthless producer, even though she's a sociopath), but they did not let them take away from the enjoyment of the show.

"Outsourced," the show NBC bumped "Parks and Rec" for, was incredibly offense, both on a cultural sensitivity level and a "so unfunny it's 'Two and a Half Men'-bad" level. Sure, "Parks and Rec" was weak when it started and it overcame its pitfalls. But it didn't have the offensive premise and execution to overcome. I don't see it laughing.


To be honest, I think "the Office" is a lost cause and that's why Steve Carell has turned in his notice. I'm only watching out of habit, not hoping for quality. However, I do hope "Community" and "30 Rock" stay on their hot streak.

Agree, disagree? Have opinions about any other shows? Leave a comment!

The 2010 Emmys deliver, thanks to Jimmy Fallon and company

I love Emmy night. Most people I come into contact with on a regular basis don't understand the fierce passion I have when it comes to Emmy nominations, wins and the broadcast itself. After last year's show was fairly terrible, I was concerned about whether I'd be impressed again, and I certainly was (yes, NBC did something right).

This year's epic opener kind of proves why I love the Emmys so.



Jon Hamm and Betty White shimmying. Perfect song choice. Joel McHale being Joel McHale (side note: I loved that the Emmys used Joel liberally throughout the show, yet never nominated Community for anything). Jimmy and Tina Fey bringing back their adorable chemistry from their Weekend Update days (but, Tina, don't try to sing, please). Lea Michele not making me gag. If that alone doesn't make the Emmys worth watching, I don't understand how you can call yourself a television fan. For God's sake, they made you laugh at Kate Gosselin without hating her. That's quite the feat.

This year really provided a lot of fantastic moments. My second favorite?



Jimmy's dead-on impression of Billie Joe Armstrong from Green Day, during his tribute to LOST. While I love TV, I'm also a very devoted Green Day fan, so I nearly fell out of my chair in a combination of laughter and giddiness. Just ask anyone at the BG News, who put up with my reactions to the awards all evening long.

I know a lot of people hate Jimmy, but I think he delivered tonight. He played to his strengths but he didn't dominate the show.

Now, to the actual winners.

I was impressed with the comedy wins. I love 30 Rock, but I can handle them losing, especially to a show like Modern Family. I've expressed my feelings about Glee here before, and I just think that they won the awards they deserved, mainly Jane Lynch. I expected vote-splitting for the three Modern Family nominees in the Outstanding Supporting Actor category, but I'm happy Eric Stonestreet took it (actually, I would have been happy with anyone but Jon Cryer). I strongly believe that in terms of consistency, cast excellence and comedic value, Modern Family is a far superior show to Glee. I have no complaints about it winning, even if it isn't 30 Rock. It's time for some new blood. As for one Modern Family complaint? I wasn't wowed by the pilot episode, which earned Christopher Lloyd and Steven Levitan an Emmy tonight. 30 Rock's Anna Howard Shaw day, written by Matt Hubbard, was a better episode.

Edie Falco won for her wonderful performance on Nurse Jackie, making her the first woman to win for both comedy and drama acting categories. I would have liked to have seen Amy Poehler (who looked amazing so soon after having her baby) win, so it would help the woefully under-viewed Parks and Recreation, but there's no denying that Edie is great. Due to my inherent bias against CBS comedies, I haven't seen the Big Bang Theory, so I don't know about how deserving Jim Parsons win was. Like with the suppporting actor category, I was just happy it wasn't Larry David, Tony Shalhoub or Matthew Morrison.

As for guest actors, I was impressed. As much as I love and adore Will Arnett, Neil Patrick Harris was great on Glee, and Betty White's win for SNL was also well-deserved. John Lithgow for Dexter was a no-brainer, too.

Now, for drama. Mad Men won once again, over Dexter's amazing season four. As I've said before, Mad Men may be a show that's well executed, but it would have been nice to see Dexter rewarded for its stellar season. Likewise, I'm frustrated Michael C. Hall lost for Outstanding Actor. Yet, since he lost to Bryan Cranston, who put forth a great body of work this year on Breaking Bad (even if the season was a little inconsistent), who has deserved his three consecutive awards.

The award that brought me the most joy, though, was seeing Aaron Paul win for Outstanding Supporting Actor for Breaking Bad. He was just astounding to watch this season. I loved hearing the insane amount of applause for him and his speech was so heartfelt. I'd say it's a three-way tie between him, Edie Falco and Eric Stonestreet for favorite speeches tonight.

(I'm ashamed to say that I'm very unfamiliar with the nominees for the dramatic actresses. However, just because I do root for the underdogs, it would have been nice to see Connie Britton take home the award. I have seen a scant few Friday Night Lights episodes, and her work impressed me.)

Lord knows I love the Daily Show and Jon Stewart, but I wish Conan O'Brien or Stephen Colbert and their respective shows could have won instead, if only so we could have actually received an acceptance speech for them. Conan's nomination intro was pretty humorous too, and it was wonderful seeing him in the audience, strike/unemployment beard still in tact.

Another highlight? Ricky Gervais, as always. It was silly for NBC to book him to host this year's Golden Globes, a show where the host does little work. This isn't meant as a dig at Jimmy, because I think he did great, but the Emmys are what Ricky is made to host. A low light, however, was seeing Jason Sudeikis bring January Jones as his date. I don't care too much about celebrities' private lives, but I just find January to be boring and basic (put on display during her awful SNL episode), especially compared to his ex-wife, the hilarious and gorgeous Kay Cannon (who was nominated tonight for 30 Rock). It's just one of those couples that baffles me.

Alright, I've rambled on long enough about the Emmys, but I just love them so. What did everyone else think were highlights and low points? Any red carpet mishaps I missed? Seriously, if there were any awful/hilarious/amazing red carpet moments, please let me know. I had to work, so I was only able to watch the show on a stream online, and it was hard enough to pay attention to them, I didn't have time to watch red carpet shows, either.

For a list of winners, click here.

TV Tropes: taking time-wasting to a whole new level

Since I love making people waste time with TV or on the Internet, I feel as though I have to share this.

My own Internet kryptonite, ONTD, was named on Urlesque's list of the most addictive websites ever. It was on that list I found out about a pop culture junkie's paradise, TV Tropes.

It's a fantastic database listing all of media's cliches and common plot elements, and it's yet another one of the Internet's black holes. I'm currently writing this entry at 6:00 a.m., hours after I had originally planned to do so. Why? TV Tropes.

The site explains such phenomena as "The Danza," where characters are named after the actors (I say this is often due to actor stupidity or subtle reflections of real life, like Tracy Jordan/Morgan on 30 Rock, regardless of reports otherwise), like (Hold Me Closer) Tony Danza. I also enjoy the "Cluster F Bomb" page, which I don't think I need to explain. But I could go on and on.

Just take a gander at the site, and I will accept rage-filled comments for making you waste more time on the Internet. You're welcome.

Emmy nominations, LeBron James' tackiness and Steve Carell and Stephen Colbert's brilliance

It was quite the day for television Thursday, and there's a lot to discuss.

First up - the 62nd Annual Primetime Emmy Award nominations were announced bright and early yesterday morning. The nominations feature a fair share of stalwarts, snubs and surprises, as always.

Plus, LeBron James inflates his ego by punching Northeast Ohio in the face on national television.

As if that weren't enough, Steve Carell made his first appearance on the Colbert Report, and the word "epic" doesn't even begin to cover it.

E!'s Best TV shows of the past 20 years - agree/disagree?

This video is hilarious; a great recap of the top show, according to this list:



The E! network is celebrating their 20th year on television, and Kristin Dos Santos, E! Online's resident television correspondent, compiled a list of the 20 greatest TV shows of the last 20 years. The list goes as follows:

1. Lost
2. Friends
3. Buffy the Vampire Slayer
4. Alias
5. Felicity
6. Dexter
7. Arrested Development
8. Veronica Mars
9. Seinfeld
10. The Office
11. Modern Family
12. The Daily Show
13. Sex and the City
14. 24
15. Six Feet Under
16. True Blood
17. Friday Night Lights
18. The Sopranos
19. Grey's Anatomy
20. Survivor

Now, whenever anyone makes fairly subjective lists such as this, there's bound to be plenty of debate and discussion about the choices, and this list is no exception.

For me, the absolute biggest and most glaring omission is that of the Wire. Now, I know E! is a "Hollywood" network, in the sense that the network and its website are devoted to covering major stars, which is something that the Wire lacked, so it didn't get much (if any) coverage by the network during its run. However, just because it wasn't the most-buzzworthy show doesn't mean that it should have been brushed aside by Dos Santos and any E! representative who would agree with her list. Personally, no show has left me as emotionally attached to its characters and engaged in the complicated (but extraordinary) plots as David Simon's series. (Similarly, I'm a bit angry that Entertainment Weekly's 100 Greatest Characters of the Last 20 Years list only included Omar Little from the show, leaving out other spectacularly admirable and flawed characters such as Jimmy McNulty and Bubbles.)

Also, where is 30 Rock? I love(d) the Office, but I think that every season of "30 Rock" has been superior in quality to the Office minus that show's second season, which, rightfully, won the Outstanding Comedy Series Emmy in 2006. While I agree with "the Daily Show" being included, I would have also included the Colbert Report, due to Stephen Colbert's amazing blowhard character, and the writing staff's ability to come up with brilliant segments such as the Wørd. I've never watched the show, but I'm very surprised that the Shield isn't on this list either, it was so critically acclaimed during its run.

What should be bumped to make room for these shows? I'm really surprised by her inclusion of Alias and Felicity in the top 5. While Alias was beloved by fans, it seemed to have lost a lot of steam towards the end of the series. And, while I was only in elementary school when Felicity aired, I really do not remember it getting the critical raves or massive popularity to warrant such a high spot on this list. I can't help but feel like any show who lost so much popularity when its star cut her hair wasn't really that beloved to begin with. Well, judging by 3 JJ Abrams shows being in the top 5, maybe it was rigged!

I'm a big Veronica Mars fan, but even I wonder about its inclusion. Its first season combined a fantastic, Twin Peaks-style season-long mystery with the mysteries of the week a la X Files (hey, where is that on this list?), and its second season was entertaining enough. However, most die-hard VM fans refuse to acknowledge the existence of its third and final season, after the CW network meddled with it. This wasn't just a "weak" season, it was truly bad and boring. I haven't watched it in 2 years, but I continually rewatch the first two seasons.

Is Modern Family too new to be included (people keep yelling at me to watch this; I saw the first two episodes and wasn't a fan, I think I'm going to catch up over the summer)? Also, am I the only person who remembered how many people thought True Blood was really stupid in its first season? I remember people being either neutral about it or downright annoyed with it in 2008. Then, all of a sudden, last year, it was the greatest thing since a bloody piece of raw steak. I don't watch it, but was the second season really that good that it warranted a spot on this list? Again, I don't watch. I'd love to hear what fans of the show think.

I wonder about Grey's Anatomy as well. I think it does its "very special episodes" well (the post-Super Bowl 2006 bomb in the hospital episodes were quite engrossing, and this season's finale was as well), but I had to stop watching because week after week, it just seemed too mundane. It's not a bad show overall, I just don't know if it's one of the best (especially when ER and House were excluded, although both had weak points as well).



Am I completely off-base, is Kristin? Are we both right or wrong? I love hearing why pepople like and dislike shows, so please comment with your thoughts!

Conan O'Brien returns to TV in November

It's rare in this day and age for any major business deal to go undiscovered and unannounced. Thanks to the Internet, it seems as though any inside deal, particularly with the media, is leaked days, weeks or months ahead of time. That's why Conan O'Brien created quite the anomaly Monday (you know, other than the anomaly of being a six feet tall, gangly, redheaded pale hero, or, depending on who you ask, sex symbol to an entire generation).

For months, it seemed as though, after defecting from longtime home NBC in January, O'Brien was set to start a show on Fox in the fall. Every day on ONTD, I'd read "insider" post after post about the various stages of O'Brien's contract negotiations with the network, and it seemed as though fans were just playing the waiting game until Fox made the official announcement.

That was until O'Brien Tweeted that he inked a deal with TBS to begin a show in November. Both the general public and media industry workers were stunned; TBS was never considered a serious contender in the quest for O'Brien. Plus, as many were keen to point out, O'Brien's deal to have a show weeknights at 11 p.m. would push George Lopez's "Lopez Tonight" an hour later to 12 a.m.; in other words, he was doing to Lopez what NBC and Jay Leno did to him.

However, the stakes are different for Lopez, I believe. Lopez's show does very well already, and its lead-ins are syndicated television shows and movies, not brand-new comedy content. Imagine the types of ratings he can receive with a boost by O'Brien's high-profile show right before, as his fans will likely stick around to watch "Lopez Tonight." It's not like NBC, where an already failing show ("The Jay Leno Show") would be rewarded with a better time slot, to harm O'Brien's "Tonight Show". Instead of harming the current show, it can help it.

Lopez apparently realized this as well. According to an interview with Turner Entertainment Networks President Steve Koonin, Lopez called O'Brien personally to convince him to make the deal, and has coined the new lineup "LoCo," combining the two names. I'm not a fan of Lopez's comedy, but I have to give him credit for being savvy about his prospects, and for personally trying to make this happen. Plus, TBS deserves a lot of credit for taking such a risk and just making an attempt to court O'Brien. They saw an opportunity and took it, and they did it while blindsiding the media and public, making the story all the more exciting.

Reading Koonin's interview gives me so much hope for O'Brien's show. TBS clearly believes in O'Brien, and realizes that he is a funny man who can bring a lot of attention to the network and its programming. They know what to do with O'Brien and his brand of comedy, something NBC (and, arguably, O'Brien and his staff) lacked when O'Brien made the switch to "the Tonight Show." As Koonin said, "He can do whatever he wants to do here. We think he is an incredibly talented artist and we want him to make his show and if he wants it edgier, we are 100 percent supportive." I always preferred O'Brien's sillier antics on "Late Night" to his watered-down "Tonight Show" bits (which isn't to say that he wasn't funny on "the Tonight Show"), and if he can use this cable platform to regain some of that irreverence, it would be for the better.

This seems like a winning situation for O'Brien, his staff, TBS and their shows, as well as O'Brien's fans. While I'm not thrilled about having to make the painful choice of watching O'Brien's show versus "The Daily Show" and "the Colbert Report" at the same time (thank God for Comedy Central's 1:30 and 2 a.m. reruns of those shows), it's still exciting.

In other O'Brien news, Monday night, he also began his hyped (but too short, Midwest-ignoring) live tour last night in Eugene, Ore. To add insult to injury, and to make me all the more jealous of those people who are seeing him on this tour, Twitter user Robert Kremers has posted pictures of the event, such as this one, featuring O'Brien and one of my favorite actors/people on the face of the Earth, Jack McBrayer of "30 Rock" pulling the "Chuck Norris, rural policeman" lever (similar to O'Brien's "Walker: Texas Ranger" lever, which he likely had to change the name of thanks to his exit deal with NBC to give up certain creative properties):

Plus, guitar playing? I don't mean to sound whiny, but why am I not at this show?

(Images via TweetPhoto)

What do you think about O'Brien's new show? Will you watch? Are you crying yourself to sleep tonight knowing you're missing O'Brien's epic tour, like I probably will tonight? Leave a comment!

On location: Famous TV landmarks

While many TV shows create fictional towns and landmarks, many also film at real-life locations, or they mention existing locations on the show. Of course, real locations are also used as exterior locations as well. Here is a select list of some famous locations seen or heard on TV shows.


View TV locations in a larger map

Do you have any other real-life locations that are used on TV that you've visited or heard about?

Maybe by the year 3000, we can all see Conan O'Brien

I apologize if this entry sounds whiny, because, frankly, I'm not in the best of moods. Once again, someone (in this case, formerly) associated with NBC has broken my heart. And this one really stings.

Rumors began swirling a couple of weeks ago that Conan O'Brien was going to be using his time in unemployment to go on the road for a cross-country tour. Well, that rumor was confirmed today. Tour dates for O'Brien's "Legally Prohibited From Being Funny on Television Tour" were not only announced today, but, unfairly, the tickets also went on sale at the same exact time dates were announced. I woke up today, excited about the prospects of buying tickets in the near future, only to go on Ticketmaster to find that any dates I could potentially attend were sold out already. This is because the lucky people who happened to have Internet and credit card access at 10 a.m. this morning got the first and only opportunities for tickets.

So, this has been my feeling all day (image is via TinyPic, although I'm 99 percent positive someone from ONTD made it):



It is not right that those behind this tour did not give fans advanced warning about tickets going on sale, and sprung the sale upon people at the last minute, leaving people to scramble to attempt to get any tickets. Additionally, I have a problem with the dates themselves. As an Ohioan, I'm upset that the two Chicago dates are essentially representing all of Illinois, Indiana, Michigan and Ohio. Plus, with the monumental demand for tickets, playing venues that seat less than 5,000 people (such as the Chicago Theatre) just does not allow for the massive amount of O'Brien's fans to see this tour. His main demographic has traditionally been college students, and I feel that it would have been more suitable for O'Brien to play on college campuses and sell more tickets for cheaper prices, so that more students could afford them. The cheapest tickets for the Chicago shows were $39.50, but on eBay, they are currently going for hundreds of dollars.

Reading the tag line for the shows, "A night of music, comedy, hugging, and the occasional awkward silence" just makes me all the sadder to be missing it, because that sounds like heaven. I would love to hear O'Brien perform with his guitar, and I'm very jealous of the lucky souls who will get to see him. I just hope that for the people who were not lucky enough to secure a ticket, there will be other opportunities to see the show (a DVD release would be fantastic).

Were you a lucky person who bought a ticket, or were you left feeling like Pierre Bernard in his Recliner of Rage, ranting like I am about not getting a seat? Let me know, and we can wallow in our sadness together.



Also, on a side note, I do have to say that NBC is doing one thing right. They are allowing Brian Williams to make hilarious appearances on numerous television shows. Thank you, NBC. Also, one more kudos to NBC and "Saturday Night Live" for confirming that Betty White will host the show on May 8.

Cupid's arrow hits your cable box

It's Valentine's Day, and therefore, if you're a semi-regular viewer of cable television, it's time to wallow in your misery! Nearly every channel that regularly shows films has devoted this weekend to humoring the poor, sad saps that are without a companion for the holiday. Are you a hopeless romantic who can't seem to find a man because every man today is uncouth and unsuitably impolite? Well, Oxygen's marathon of films based on Jane Austen novels is right up your alley. Are you a strong, independent woman who is obviously worthless without a mate? Because I Said So is your life in film form.

For men: are you a nice but nerdy guy who is surrounded my increasingly growing pressure to find love (or a one-night stand)? The 40-Year Old Virgin can give you your romantic comedy fix, without all of the mushiness of Lifetime fare, and with raunchier humor. Sure, it may be frustrating to see all of your friends going on movie dates with their partners to see Valentine's Day this weekend, but why waste money on a mindless romantic comedy when you can see (arguably) better films for free? The television networks know you're alone, and they know that you want to indulge in a bit of romance, even if you aren't embracing the concept in your life.

Are these movie schedule blocks patronizing? Absolutely. However, they do allow for us poor people (men: don't lie, you know you've seen most of these romantic comedies on a voluntary basis) who are tempted to make up imaginary girlfriends and boyfriends (such as 30 Rock's Liz Lemon, who, on Thursday's fantastic episode, had a fictional "astronaut Mike Dexter" ready to pick her up from a root canal, proving she won't die alone) to engage in a healthier pastime. We'll just stay in our houses on Valentine's Day with a bunch of chocolate or Ben & Jerry's (Stephen Colbert's Americone Dream, of course) and spend the day laughing and crying over our lack of an unrealistic soul mate. Laugh at us if you will, but we're the ones who are entertained all throughout the weekend. We don't have to worry about if we've bought the right gifts, picked the right restaurant, or wore the right clothes on our Valentine's Day dates. Thanks to television, we can live vicariously through the romantic trials and tribulations of fictional characters. The networks and advertisers know this, and have provided us with a bounty of romantic cheer.

Eat it up, everyone, and enjoy your Valentine's Day, whether it's with your significant other or your satellite TV. Here's a gift for you television fans:



(Found on Tumblr)