Tuesday, July 20, 2010

Outstanding Variety Series Emmy awards removed from telecast, likely due to Conan O'Brien

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^I don't think anyone could have summed up the latest Emmy news better.

Last week, I blogged about how exciting it was that the Tonight Show with Conan O'Brien was nominated for Emmys this year, even after all of the controversy with NBC. NBC executives were probably shaking in their boots, because if Conan and/or his writing staff won awards, they would have to suffer the awkward indignation of airing the acceptance speech of someone they so unceremoniously booted off of the network.

So, it doesn't come as too much of a surprise that, according to one of Conan's writers, Deon Cole, the 2010 Emmy broadcast, which will air on NBC this year, will not feature the Outstanding Writing for a Variety, Music or Comedy Program. Continuing their long-standing reputation of acting like petty 14-year-old girls, the network has decided to eliminate any possible way for Conan or his writing staff to appear on camera to accept an award at the Emmys, in their ongoing mission to pretend as though he never existed. Deon said that it wasn't NBC who made this decision, but I have a feeling that the telecast producers were largely influenced by the network (Jeff Zucker, in particular) to make the cut, and that he was just being polite.

This bothers me a lot, for two main reasons. First, the removal of this category will remove from the Emmy telecast what is typically the best part of the show - the nominee videos for the category.







I always enjoy seeing what the writers of the nominated shows come up with each year, and it bothers me that we will not be able to see the nominee presentations this year. Instead, knowing NBC, they'll use the extra time in the telecast to have Jay Leno on the show, complaining about how he wasn't nominated, or spending time shamelessly previewing the future failure fall shows on NBC. Even if the Tonight Show didn't win the Emmy (typically, the Daily Show wins, but Late Night did win in 2007), NBC apparently couldn't risk Conan and his writers using the nominee portion to take a dig at the network. I'm sad that we won't be able to see the Conan team's videos, as well as videos from the fellow nominees (the Daily Show, the Colbert Report, Saturday Night Live and Real Time with Bill Maher).

The second reason this bothers me is that in NBC's increasingly pathetic attempts to do damage control, they are unfairly hurting the nominees. Outstanding Writing award doesn't just honor the show, but the people who help to put it together, the names that many people don't pay attention to when the credits roll. For that one second, their names, and possibly faces, can be featured on a prime-time show, and they can be publicly honored for their accomplishments. NBC is now taking away that honor for the writers of all of the nominated writers of all of the nominated shows. The writers for the shows should not be punished for NBC's failure to run their network. I like to see writers in the spotlight, and this Emmy category is a great chance for people to recognize their talents.

It's not that I feel sorry for Conan, but his writers, and the writers of all of the nominated shows. I feel sorry for Emmy viewers, who will be robbed of a show highlight. With award show ratings going down the toilet, you would think networks would want to do whatever they can to keep highlights in the show. Then, I remember, this is NBC we're dealing with, and everything makes sense.

I now wonder if Conan and his staff will even be invited to the Emmys this year. If they aren't, I hope some party crashing goes on, not to vindicate Conan, who has constantly reaffirmed that he does not want sympathy, but for the sake of the shunned writers. Plus, it would be a great middle finger to NBC.

This is why we can't have nice things, because the trolls at NBC will find a way to ruin it. It's what they do best.

1 comment:

  1. Yes you are right. Why NBC is always take good things from us. I think they need to do pooling in order to know what the audience wants to see.

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